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PECKING AT KEYS:
Christee
Gabour Atwood wears a chicken suit while
writing a novel at a bookstore in Baton
Rouge, La. She was part of a project to
write 50,000 words in one month.
CARMEN K. SISSON |
Write a book in 30 days? What a novel idea.
Some 80,000 people join in a project to write 50,000 words in a
month - a journey in prolixity that helps curb fear of writing.
By Carmen K. Sisson | Correspondent of The Christian Science
Monitor
BATON ROUGE, LA.
I worry I won't recognize author Christee Gabour Atwood in a
mall full of soccer moms and sweat-suited octogenarians, but
she's hard to miss. She's the woman skipping into a Waldenbooks
here with an enormous white hairball slung over her shoulder.
The orange beak jostling against her ankle is a giveaway, too -
the lady who calls herself "The Rubber Chicken" is on the
premises, prepared for battle with a keyboard.
The chicken and I are just two of the 79,813 participants in
the sixth annual National Novel Writing Month - NaNoWriMo, for
short - a self-directed, kamikaze approach to writing that
embraces quantity over quality. The premise, dreamed up by San
Francisco writer Chris Baty, is simple. Everyone says they'll
write a book one day. What if each person wrote a 50,000-word
novel in 30 days, setting aside fears and making a mad dash for
the impossible? It's a beautifully insane scheme that appeals to
insomniacs, masochists, and - apparently - the would-be writer
in thousands of us.
Participants keep track of their own progress online, and in
a game where word count is king, the chicken is trouncing most
of us. I, in fact, have run into plot snarls and a house so
clean - cleaning being my little diversion from writing - that
you couldn't find a mote of dust.
Slipping behind the bookshelves, giggling like a child, Mrs.
Atwood dons her suit, affectionately dubbed "Uncle Miltie," and
settles at her table in the bookstore window, where she writes.
She could pen her plotlines at home, wearing comfy sweats like
the rest of the literati, but there's a dual purpose. The
attention-getting garb plays into a signing spree for her book,
"Three Feet Under: Journal of a Midlife Crisis," and, more
important, she says, it keeps writing fun and helps her not take
herself so seriously.
That wasn't the case a few years ago. Struggling with stress,
trapped in the upper echelons of corporate management, Atwood
was hospitalized for a time. But she has since rediscovered a
passion for writing, and the chicken suit helps keep things in
perspective.
"I learned it's OK to take your work seriously but yourself
lightly," Atwood says. "Don't people enjoy daydreams? That's
what writing is - playing the deity of your own little world."
The founder of NaNoWriMo believes Atwood's approach - both
clacking keys and clucking - is a fantastic way to embrace the
spirit of the project. "What happens is you stop worrying about
the perfection of every single sentence and you just dive in,"
Mr. Baty says. "The chicken suit is a new twist, but it's the
idea of leaving your expectations and shooting for quantity. You
can edit 'imperfect.' You can't edit a blank page."
Various Baton Rouge writers occasionally join Atwood at the
table in the bookstore, including Waldenbooks manager Eric
Beaty, but today she's on her own. Just as well. Stephen King
wannabes who sit nearby often grouse about having to pluck
chicken feathers from their keyboards. As for Atwood, she
carries a lint brush: Uncle Miltie sheds.
Watching her in action, pecking keys, pondering syntax, you
have to admire her pluck. Every few minutes, she's interrupted,
but she keeps typing, squeezing self-promotion between
sentences. With two business books slated for publication in
March, Atwood is an anomaly in the NaNoWriMo world. This is her
first year participating, and 45,515 words into "Danger, Deceit,
and a Demon Named Myron," she's well on her way to completing
her 12th book. Though some NaNo'ers have seen their novels
published by major houses, only 16 percent cross the 50,000-word
threshold in the month time slot.
***
Dawn O'Bryan, an empty nester who lives in Silicon Valley,
found a method in the madness. Taking advantage of her free
time, she churned out 50,308 words in 18 days. "NaNoWriMo gave
me a great incentive to face daily writing goals and make a
habit of them," she says.
Similarly, Sarah Jane Sprouse, a college student in Richmond,
Va., has reached the 50,000-word mark five times - including
this year with a novel she's named "Modern Dialect." Still, it
wasn't easy. Ms. Sprouse wrote a senior thesis during the same
month and also struggled with the Scottish dialect required for
her Glasgow-based novel. "I make an effort to do it every year
because it's fun and a great exercise for my writing skills,"
she says. "At the end of each NaNoWriMo, I have a new (albeit
very rough) manuscript to work with."
Among the mix of veterans and published authors, there are
just as many first-timers who've never put pen to paper. Dantrel
Robinson, a marketing executive at The Coca-Cola Company, wrote
most of his novel while traveling between Alabama and Houston
for business. He ended up with 50,867 words and a new sense of
discipline. "I wrote half the novel in my hotel room," he says.
"There will always be distractions. You just have to really
commit - not answer the phone or respond to that e-mail."
Atwood, for her part, made good progress on her novel, which
isn't exactly serious fiction. Set in nearby New Orleans, it
begins with a rollicking car chase and shifts into gear with a
gun-toting immortal bent on saving the world while hiring a
personal assistant to schedule appointments and tote AK-47s.
***
In the end, that's the point of the exercise - just to write.
This isn't Henry James. Indeed, Dwight Eddins, an English
professor at the University of Alabama in Tuscaloosa, who has
spent 40 years teaching students to appreciate Yeats, as well as
James, believes the content is not as important as the act
itself. "I'm more or less skeptical about the results, but
what's to be lost [by doing it]?" asks Dr. Eddins.
Granted, there are ups and downs. From the time commitment -
most participants shoot for 1,500 words a day - to the physical
demands, some find NaNoWriMo grueling. For Atwood, writing in
the mall bookstore keeps her from feeling isolated, a complaint
many writers voice. For Baty, the project founder, it offers an
excuse to indulge in the temporary drama of a writer's life.
Still, beneath the farce lies a very real fact - NaNoWriMo
renews a dream for many, and the deadline forces it into
reality. Outside Atwood's temporary writing coop, Brenda Harris,
a janitor at the Cortana Mall, harbors her own aspirations. Ms.
Harris loves working at the shopping center, but admits she
dreamed of writing a book when she was a teen.
Back then, she wanted to write a romance novel, but now she
thinks she'd write about the plight of the world. Still, fear
holds her back. "I wasn't that good at English," she confesses.
"I figured I'd probably have to be a lot better at it."
As this year's NaNoWriMo draws to a close, my novel is
stalled at 13,000 words and Beaty is stuck at 12,000. Atwood,
along with 12,948 others, crossed the halcyon 50,000-word mark.
The total word count comes to 982,564,701.
Back at my hotel, I wonder if Harris went home, sat down at
the kitchen table, and began her novel on the back of an
envelope. When we parted, she had said: "You know, I bet
everybody's got a life story to write that would rock the
world," and I had hugged her and replied, "You write yours -
I'll look for it."
Lost in thought, I pick up the remote, then set it back down.
November may be over, but someone's waiting for my story.
Smiling, I open my laptop and begin to type.
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