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Sedona Film Festival presents
powerful documentary “Gonzo” on Oct. 28
Oscar-winning director captures the life and
work of journalist Hunter S. Thompson
SEDONA, AZ - Oct 19, 2008 -The Sedona
International Film Festival concludes its
“OctoberFEST of Film” on Tuesday, Oct. 28 with the
Northern Arizona premiere of “Gonzo: The Life and
Work of Dr. Hunter S. Thompson,” a new documentary
that is playing to rave reviews from critics and
audiences around the globe. There will be two
screenings of the film at 4:00 and 7:00 p.m. at
Harkins Sedona Six Theatres.
The film is narrated by Johnny Depp. “Gonzo” is
directed by Alex Gibney, the Academy Award nominated
director of Enron: the Smartest Guys in the Room and
the director of the Academy Award winning
documentary, Taxi to the Dark Side.
“Gonzo” is the definitive film biography of a mythic
American figure, a man that Tom Wolfe called our
“greatest comic writer,” whose suicide, by gunshot,
led Rolling Stone Magazine, where Thompson began his
career, to devote an entire issue (its best-selling
ever) to the man that launched a brash, irreverent,
fearless style of journalism - named “gonzo” after
an anarchic blues riff by James Booker.
Borrowing from Kris Kristofferson, Thompson was a
“walking contradiction, partly truth, mostly
fiction.” While his pen dripped with venom for
crooked politicians, he surprised nervous visitors
with the courtly manners and soft-spoken delivery of
a Southern gentleman. Careening out of control in
his personal life, Thompson also maintained a
steel-eyed conviction about righting wrongs.
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“Gonzo” is the definitive film biography of a mythic American figure, Dr. Hunter S. Thompson, a man that Tom Wolfe called our “greatest comic writer. The film is making its Arizona premiere in Sedona on Oct. 28th, presented by the Sedona International Film Festival.
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Today, in a time when “spin” has replaced the search
for deeper meaning, Thompson remains an iconic
crusader for truth, justice and a fiercely
idealistic American way. Like Jack Kerouac’s On the
Road, his book Fear and Loathing in Las Vegas (and
the movie made from it) remains a wanderlust myth
for generation after generation of American youth.
And for America’s most esteemed journalists – from
Tom Wolfe, and Walter Isaacson (former editor of
Time) to the NY Times’ Frank Rich – he remains an
iconic freelance, never afraid to gore every sacred
cow in his path. He believed that writing could make
a difference. It could change things.
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Every narrated word in "Gonzo" springs from the typewriters of Hunter S. Thompson himself. Those words are given life by Johnny Depp (who narrates the film), the actor who once shadowed Thompson’s every move for the screen version of Fear and Loathing in Las Vegas, and who bankrolled Thompson’s spectacular funeral. The film plays at 4 and 7 p.m. on Oct. 28 at Harkins Sedona.
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While director Gibney shaped the screen story, every
narrated word in the film springs from the
typewriters of Thompson himself. Those words are
given life by Johnny Depp, the actor who once
shadowed Thompson’s every move for the screen
version of Fear and Loathing in Las Vegas, and who
bankrolled Thompson’s spectacular funeral
(photographed for this film).
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MEET THE FILMMAKER
ALEX GIBNEY (Director, Writer, Producer)
Alex Gibney wrote and directed the Oscar-nominated
film Enron: The Smartest Guys in the Room. His most
recent film, Taxi to the Dark Side (ThinkFilm), a
documentary murder mystery examining the death of an
Afghan taxi driver at Bagram Air Base, won the
Academy Award for Best Documentary in 2008. Gibney
is now at work on two other films: For Participant
Productions, Magnolia Pictures and Reason Pictures,
he is directing and writing Casino Jack, a look at
lobbyist Jack Abramoff and the selling of the
American government. For Optimum Releasing and
Thinkfilm, he is directing and producing Magic Bus,
a time-travel immersion experience of Ken Kesey and
the Merry Pranksters, on their infamous road-trip to
the 1964 World’s Fair. He is also working on two
fiction projects: a film (part documentary, part
fiction) of My Trip to Al Qaeda, a play by Lawrence
Wright, the Pulitzer Prize-winning author of The
Looming Tower, and he is writing a script based on
David Halberstam’s book, The Best and the Brightest.
Gibney has another film at Sundance this year -- the
dramatic feature Love Comes Lately, which he
executive produced.
Other films by Gibney include: No End in Sight
(Executive Producer); Mr. Untouchable (Producer),
Who Killed the Electric Car (Consulting Producer);
The Trials of Henry Kissinger (Writer/Producer);
Herbie Hancock: Possibilities (Producer); Lightning
in a Bottle (Producer); Wim Wenders` Soul of a Man
(Producer) and Martin Scorsese Presents the Blues
(Producer). |
The film is distinguished by its unprecedented
cooperation of Thompson’s friends, family and
estate. The filmmakers had access to hundreds of
photographs and over 200 hours of audiotapes, home
movies and documentary footage of the man. In
addition, the estate granted unusual access to the
work itself, allowing the film to quote from
unpublished manuscripts, as well as the many
letters, books and articles that Thompson produced.
Ralph Steadman – the visionary artist whose
ink-splattered drawings and paintings created a
subversively iconic visual landscape for Thompson’s
words – also granted the filmmakers access to
previously unpublished artworks and Polaroid’s.
The signature of the film, however, is its focus on
Thompson’s work, particularly his most provocative
and productive period from 1965 to 1975. His wicked
words resonate today, at a time when politicians
have become manufactured celebrities, shrouding
themselves in Teflon, issuing banalities whose only
value is that they rarely offend. Too often,
contemporary journalists play the politicians’ game,
taking them seriously with a balance they don’t
deserve. Thompson never stood for that. He
understood, better than any other, that when the
going gets weird, the weird turn pro.
The critics have been raving about “Gonzo.” Vanity
Fair calls it “absolutely riveting, an extraordinary
film.” USA Today says the film is “captivating,
mesmerizing and fascinating” and says it is “not
just for fans, but anyone interested in art, human
nature and political history.”
Andrew Sarris from the New York Observer says
“Gonzo” is “the most absorbing film, fiction or
non-fiction, I have seen this year. ‘Gonzo’ is a
must-see for everyone!”
“Fascinating!” says A.O. Scott from the New York
Times. “At his best Hunter Thompson was braver,
funnier and more ruthlessly honest than just about
any other magazine writer and ‘Gonzo’ confirms his
place in the best, most disreputable corner of our
literary pantheon.”
The title sponsor for the Sedona premiere is The
Sedona-Verde Valley Times. The series is also made
possible by a grant from the Arizona Commission on
the Arts and National Endowment for the Arts and the
City of Sedona.
The film will be shown at Harkins Sedona Six
Theatres on Tuesday, Oct. 28 at 4:00 and 7:00 p.m.
Tickets are $10, or $8 for Film Sedona members, and
will be available starting at 3:00 p.m. in the
Harkins lobby. Cash or checks only. Seats are
limited. Film Sedona members can purchase tickets in
advance at the Sedona International Film Festival
office, 1785 W. Hwy. 89A, Suite 2B, or by calling
282-1177.
For more information, visit:
www.SedonaFilmFestival.com.
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