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by Cyndy Hardy
SEDONA, AZ – July 6, 2008 – Linda Yee and her mother, Mary Henshall,
sitting on a polished bench overlooking the southwest views of
Chapel of the Holy Cross on August 4, were nearly indistinguishable
from the many visitors who came to touch the granite walls; or light
a prayer candle for a loved one.
“This is a very special day for us,” said Ms. Yee, a long-time
resident and recent past member of the Sedona Historic Preservation
Commission.
It was the day Chapel of the Holy Cross was named as Sedona’s
nineteenth local historic landmark. Mother and daughter had come to
celebrate that history; and the memory of their friend who built the
place, Marguerite Brunswig Staude (1899-1988).
Chapel of the Holy Cross is Marguerite’s legacy; a spiritual gift to
Sedona, dedicated to the memory of her parents, that seems to rise
more than 200 feet from twin buttes with a gentle force like its
creator’s faith.
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CHAPEL OF THE HOLY CROSS became the nineteenth local historic landmark of the City of Sedona at a small ceremony August 4, 2008. From left: Chapel administrator Dr. Chuck Reaume, Sedona Historic Preservation Commission Chairperson Janeen Trevillyan, Sedona Mayor Rob Adams, and Father J.C. Ortiz, pastor of St. John Vianney’s church.
PHOTO: HARDY |
Not just Marguerite’s faith in her Catholic Church, but her faith in
a dream born 76 years ago on the streets of New York City, when the
young art student glimpsed an image of a cross in the sunbeams
playing off a two-year-old Empire State Building.
Marguerite would become an accomplished sculptor, but her passion
remained the pursuit of a place to build her chapel, meant to bring
the temporal and the spiritual, the secular and non-secular,
together through artful design.
Marguerite took her idea of a holy structure built around a colossal
cross to colleague Lloyd Wright, son of architect Frank Lloyd
Wright, and together they collaborated on the preliminary sketches.
Then they set out to find an appropriate location.
Sedona was not the first location Marguerite sought out. Her design
was turned down by Los Angeles’ archbishop as “too much,” but it was
accepted in 1937 by nuns in Hungary, however, World War II ended
that possibility, according to several news archives.
Life went on for Marguerite, including her 1938 marriage to Tony
Staude. But, her life’s dream burned like embers in her heart.
In 1941, the couple bought Doodlebug Ranch as a vacation home. Then,
Sedona was a small community of about 800 people.
Ms. Henshall used to help Marguerite with social events. Stanley
Henshall, Ms. Yee’s stepfather, was the caretaker at Doodlebug
Ranch.
Lore has it that sometime later, Marguerite, during a leisurely
airplane flight over the red spires of the valley, spotted a site
near their ranch that reignited the embers into a full-blown inferno
of inspiration.
Her dream had found a home.
Still, Marguerite faced obstacles including a split with Mr. Wright
when she decided to scale down the cruciform’s design from a
cathedral to a chapel; and permitting issues since the land she
wanted belonged to Coconino National Forest.
The late Senator Barry Goldwater helped Marguerite get the
permitting; and she turned to San Francisco architects Anshen &
Allen for the new design. The chapel was completed in 1956, after
eighteen months construction and at her cost of $300,000.
Marguerite’s emotions must have swelled when the doors to her dream
opened – 24 years after her epiphany at the foot of the Empire State
Building.
“My sister tells me that Mom brought her to the dedication so this
is a special place for us,” Ms. Yee said.
Chapel of the Holy Cross has been something of a boon for Sedona’s
economy. In 2007 Arizonans voted it one of the state’s Seven
Man-Made Wonders. Its spiritual impact is evident on the faces of
visitors from all nations and faiths.
Anshen & Allen won several awards for the Chapel design, including a
Progressive Architecture Design Award from Reinhold Publishing Corp.
in 1954; from The Church of Architectural Guild of America and an
Award of Honor from the Northern California AIA in 1957; and
Honerable Mention from the Architectural League of New York in 1958,
according to Anshen & Allen’s Web site.
Today, it is managed by St. John Vianney Catholic Church of Sedona
and the Roman Catholic Diocese of Phoenix.
As Ms. Yee, Ms. Henshall and a handful of spectators listened to the
landmark dedication ceremony, the skies above shone with rich hues
of grays, pinks, purples and blues that contrasted beautifully with
the rusted rocks.

There were many apparent contrasts present that seemed appropriate
to Marguerite’s vision: political and religious officials who joined
to present the plaque; a tide of visitors, some who came for the
weekly prayer service and some who just wanted to see the building;
and a mother and daughter, the elder whom may return for a third
milestone at the Chapel if it successfully gets national designation
next year.
“I think [the Staudes] knew this would become a special place,” Ms.
Yee said. “Now we will always have it, forever and ever, as it is.
It won’t be able to be changed.”
© 2008 Cyndy Hardy. This article may not be reproduced, republished
or distributed without written permission from the author. Contact
the author at cyndyhardy@msn.com.

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